parable

THE TALE, the Parable, and the Fable are all common and popular modes of conveying instruction.

And also this parable give I unto you: Not a few who meant to cast out their devil, went thereby into the swine themselves.

He remembered the parable of the unjust judge, and though he had previously felt sure that he ought to refuse, he now began to hesitate and, having hesitated, took to prayer and prayed until a decision formed itself in his soul.

After exhausting life in his efforts for mankind's spiritual good, he had made the manner of his death a parable, in order to impress on his admirers the mighty and mournful lesson, that, in the view of Infinite Purity, we are sinners all alike.

He thought of Cronshaw's parable of the Persian carpet.

It seems an easier and shorter way to dignity, to observe that-- since there never was a true story which could not be told in parables, where you might put a monkey for a margrave, and vice versa-- whatever has been or is to be narrated by me about low people, may be ennobled by being considered a parable; so that if any bad habits and ugly consequences are brought into view, the reader may have the relief of regarding them as not more than figuratively ungenteel, and may feel himself virtually in company with persons of some style.

The parable of Pythagoras is dark, but true; Cor ne edito; Eat not the heart.

One of the greatest of poets, Coleridge was one of the wisest of men, and it was not for nothing that he read us this parable. Let us have a little less of "hands across the sea," and a little more of that elemental distrust that is the security of nations.

A real element of Socratic teaching, which is more prominent in the Republic than in any of the other Dialogues of Plato, is the use of example and illustration ('taphorhtika auto prhospherhontez'): "Let us apply the test of common instances." "You," says Adeimantus, ironically, in the sixth book, "are so unaccustomed to speak in images." And this use of examples or images, though truly Socratic in origin, is enlarged by the genius of Plato into the form of an allegory or parable, which embodies in the concrete what has been already described, or is about to be described, in the abstract.

"Hump, do you know the parable of the sower who went forth to sow?

It was in the Umpqua Valley that they heard the parable of the white sparrow.

The simple pathos, and the apparent indirectness of such a tale as that of 'Poticoushka,' the peasant conscript, is of vastly more value to the world at large than all his parables; and 'The Death of Ivan Ilyitch,' the Philistine worldling, will turn the hearts of many more from the love of the world than such pale fables of the early Christian life as "Work while ye have the Light." A man's gifts are not given him for nothing, and the man who has the great gift of dramatic fiction has no right to cast it away or to let it rust out in disuse.